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The two ballets in this volume, Paquita and Nuit et Jour, represent Ludwig Minkus (1826-1917) towards the end of his career in Russia, working at the ...Lees meer
In his lifetime, the opera composer Fromental Halevy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later ...Lees meer
This collection of essays investigates the life and the work of Giacomo Meyerbeer, the most famous exponent of French grand opera. They are both intro...Lees meer
Daniel-Francois-Esprit Auber (1782-1871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled co...Lees meer
Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera compo...Lees meer
The subject-matter of Meyerbeer's second opera Wirt und Gast, or Aus Scherz Ernst (also called Alimelek), written in Munich in 1812, was taken from a ...Lees meer
Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera compo...Lees meer
This volume reproduces the piano score of the ballet La Source, a joint composition by Ludwig Minkus and Leo Delibes. After the success of Nemea (1864...Lees meer
Daniel-Francois-Esprit Auber (1782-1871), once one of the most well-known and well-loved names in French 19th-century opera, came later in life than m...Lees meer
Giacomo Meyerbeer was once one of the most famous of all opera composers, enjoying into the twentieth century the same universal admiration and perfor...Lees meer
Volume 1 covers the Early Years, Italy, and the Parisian Triumphs (1827-39). A register of names, maps, illustrations, musical examples, and annotatio...Lees meer
This volume brings together a collection of the orchestral works of the composer Giacomo Meyerbeer. He is remembered as one of the great figures of 19...Lees meer
Daniel-Francois-Esprit Auber (1782-1871), once one of the most well-known and well-loved names in French 19th-century opera, came later in life than m...Lees meer
Daniel-Francois-Esprit Auber (1782-1871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled co...Lees meer
Operetta developed in the second half of the 19th century from the French opera-comique and the more lighthearted German Singspiel. As the century pro...Lees meer
For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form o...Lees meer
Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera compo...Lees meer
The manuscripts scores contained in this collection further extend knowledge about Meyerbeer's non-operatic compositions-instrumental, choral and occa...Lees meer
Daniel-Francois-Esprit Auber (1782-1871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled co...Lees meer
Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his devel...Lees meer
This volume considers aspects of the Book of Genesis; as the first book of the Torah, and hence of the Bible, its position is unique, especially in it...Lees meer
Daniel-Francois-Esprit Auber (Caen 29 January 1782- Paris 12/13 May 1871) is primarily remembered as one of the great masters of opera-comique, but al...Lees meer
Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his devel...Lees meer
The overtures of Daniel-Francois-Esprit Auber (1782-1871), once as popular as those of Gioacchino Rossini and Franz von Suppe, were formerly known eve...Lees meer