Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
First Floor started small. At first it was just a newsletter, an outlet where veteran electronic music journalist Shawn Reynaldo could write and share his ideas without having to contend with outside editors or cater to social media algorithms. It was a blank canvas, and Reynaldo began to fill it with his extended thoughts on not just electronic music itself but the culture and industry that surrounded it. His first few missives went out to only a handful of people, but as the months went by and his writings increasingly became a focal point of discussions within the wider electronic music world, Reynaldo came to a surprising realization: people were actually reading this thing.
Just a few years later, First Floor now stands as one of electronic music's most influential platforms, particularly as Reynaldo continues to put many of the genre's thorniest issues under the microscope. First Floor Volume 1 collects his most thought-provoking pieces and provides a nuanced, wide-ranging look at contemporary electronic music culture as it comes to grips with systemic challenges and a time of profound transformation. Whether he's taking a hard look at the genre's futurist ethos, questioning the practices of the modern music press or mapping out what motivates dance music's newest generation, Reynaldo applies an undeniably critical lens, but his words are informed by decades of experience, a genuine passion for the subject matter and an open-minded outlook toward whatever changes lie ahead.