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For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the wo...Lees meer
The central theme of Rubens's paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history...Lees meer
Peter Paul Rubens and Jan Brueghel the Elder were collaborating as painters as early as c. 1598, before Rubens's stay in Italy, but the most important...Lees meer
Rubens was well placed to take advantage of the increasing demand for scenes of Christ's Passion in the Southern Netherlands at the beginning of the 1...Lees meer
Rubens studied his own artistic heritage. In his early youth he copied German illustrated books, such as Holbein's Dance of Death, Tobias Stimmer's Bi...Lees meer
Rubens's nine paintings in the ceiling of the Banqueting Hall, in Whitehall, London, provided the main decoration of this magnificent room, which was ...Lees meer
The house that Rubens built a few years after his return to Antwerp from Italy, and where he lived to the end of his life, was for the most part lost ...Lees meer
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, Rubens signed two con...Lees meer
Rubens had a profound impact on the visual culture of his age. He was admired not only as a painter but also for his learning, for the knowledge of cl...Lees meer
On 26 January 1622, in Paris, Rubens entered into a contractual agreement to execute two series of monumental paintings, 'in his own hand', intended t...Lees meer
Painted altarpieces form an important and familiar part of Peter Paul Rubens's substantial oeuvre. Much less widely known is the fact that Rubens's in...Lees meer
By the time of its completion in 1621, the former Jesuit church in Antwerp was one of the most brilliant achievements in the Southern Netherlands, par...Lees meer
The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The period i...Lees meer
This book is devoted to a remarkable aspect of Rubens's painted production. It investigates and catalogues not only works that Ludwig Burchard (1886-1...Lees meer
Rubens was mesmerised by faces. He studied physiognomy, the pseudo-science that began making headway in the sixteenth century, which postulated that a...Lees meer
The thirty-nine ceiling paintings which Rubens painted in 1620-1621 for the newly-built Jesuit Church in Antwerp constituted the most extensive commis...Lees meer
This volume catalogues the paintings and drawings that Ludwig Burchard (1886-1960) gathered under the heading 'Genre Scenes' when planning his catalog...Lees meer
Rubens's Decius Mus Cycle is in many ways a first. It provides the earliest example of work for the medium of tapestry, and so illustrates the artist'...Lees meer
One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods ...Lees meer
In 1622 Rubens published a splendid volume on Genoese Renaissance architecture, with precise engravings depicting facades and plans of a dozen villas ...Lees meer
This volume is the second in the series devoted to portraits and in this volume is confined to portraits painted in Antwerp, cataloguing those in whic...Lees meer
Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this...Lees meer
Shortly before November 1636, Rubens received the commission from Philip IV of Spain to supply more than sixty paintings with mythological subjects fo...Lees meer
The paintings that Rubens devoted to the theme of the youth of Christ are among the most impressive and influential examples of art that expressed Rom...Lees meer