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Górecki’s Church Songs, based on melodies from Rev Jan Siedlecki’s Śpiewniki Kościelne (‘church songbooks’), were composed in 1986. This edition is ba...Lees meer
A rapt meditation on this sacramental medieval poem, composed to mark the 400th anniversary of the of St John Ogilvie at Glasgow Cross in 1615 in a pe...Lees meer
A contemplative and affecting setting of the opening two verses of Psalm 91, which tells of God’s protection for those who follow Him, by Cornish comp...Lees meer
This carol, extracted from James MacMillan’s Christmas Oratorio (2020), is an arrangement of the traditional Hebridean melody, ‘Tàladh Chrìosda’, with...Lees meer
Karl Jenkins’ “Benedictus”, the penultimate movement from “The Armed Man: a Mass for Peace”, is now firmly established as a classic in its own right. ...Lees meer
Setting for double SATB chorus a cappella of an anonymous medieval text about Saint Cecilia, patron saint of musicians. Instrumentation: mixed choir (...Lees meer
This work comes from amazement – that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessn...Lees meer
In Kim André Arnesen’s Stabat Mater, which uses the Stabat mater dolorosa text, the sixth movement Virgo virginum is musically one of the more hopeful...Lees meer
This short but beautifully crafted motet for upper voices was composed for the combined girls choirs of Godolphin & Latymer School whilst Kerensa Brig...Lees meer
Commissioned in 2017 for St Asaph Cathedral Choir, Wales, Let us go to Bethlehem is an engaging and gently flowing setting of words adapted from Luke ...Lees meer
A reflective setting of the one of the Marian antiphons (‘Hail, Queen of Heaven’) by emerging composer Kerensa Briggs. A continuous, largely homophoni...Lees meer
This piece is an adaptation of the instrumental movement Reflection in Kim André Arnesen’s large-scale work The Stranger. Arnesen was inspired by rese...Lees meer
The familiar Latin text, ‘Tantum ergo Sacramentum’ (‘Therefore only the sacrament’), attributed to the 13th-century St Thomas Aquinus is here set by A...Lees meer
A setting of verses 7 and 8 of Psalm 57 (‘My heart, O God, is steadfast. I will sing and make music. Awake, my soul! Awake, O harp and lyre! I will aw...Lees meer
Górecki’s Church Songs, based on melodies from Rev Jan Siedlecki’s Śpiewniki Kościelne (‘church songbooks’), were composed in 1986. This edition is ba...Lees meer
Eja Mater is a prayer for comfort to all parents who have lost their own child, but also expresses love from parents to their children. Originally wri...Lees meer
Adapted from a movement of Arnesen’s Stabat Mater for upper choral voices and orchestra, Eja Mater is arranged for mixed choral voices, violoncello an...Lees meer
Composed for the New London Children’s Choir to celebrate its 25th anniversary. An attractive and accessible setting of this much-loved sacred text. S...Lees meer
An energetic and dancy setting of Psalm 33: 1–4 (modern English), this 5-minute piece was commissioned by Worth School and Abbey, UK, in 2018. A highl...Lees meer
In Jubilate Deo Kim André Arnesen goes back to the music to which he was introduced from a very early age as a chorister at Nidaros Cathedral in Trond...Lees meer
Commissioned by Philip Redfern and the Choir of St Michael and All Saints Church, Edinburgh, Tantum ergo portrays the devotional text (‘Therefore only...Lees meer
Commissioned by William Saunders for the Royal Hospital School, Ipswich in 2013, Exalt us in Your love is based loosely on the words of the Royal Hosp...Lees meer
In Paradisum sets a prayer from the Roman Catholic Burial Service, often used as a movement in settings of the Requiem Mass. The opening emerges from ...Lees meer
Written in 2007, O sacrum convivium is one of Ben Ponniah’s earliest choral compositions. Olivier Messiaen’s setting had a profound impact on Ponniah ...Lees meer