- Afhalen na 1 uur in een winkel met voorraad
- Gratis thuislevering in België vanaf € 30
- Ruim aanbod met 7 miljoen producten
- Afhalen na 1 uur in een winkel met voorraad
- Gratis thuislevering in België vanaf € 30
- Ruim aanbod met 7 miljoen producten
Omschrijving
échanges: Pac
The PAC PARTYMONSTER photoshooting concept wanted to develop the myth of the PARTYANIMAL that was first associated with the discomobile, as the collective went up the mountains to do a party in Emosson in the Swiss Alps in 2001. PAC is a collective that uses and abuses party situations to express itself.
Photos:
Fabian MartiThe PARTYMONSTER's series is an evolution of the PARTYANIMAL character developed by A+ as the discomobile mascot. The PARTYANIMAL was born in the Swiss Alps at an outdoor party in 2002 and since then has appeared in various discomobile and PAC events (Palais de Tokyo, Paris / Saas Fee's Pony, Frankfurt / Discodonkey 02, Sofia).
Eliane Laubscher The PARTYANIMALS represent dancefloor and clubculture gods with their tools and accessories. They stand as phantoms of performers or frozen statues. Even if their looks and faces are scary, the masked ones seem more miserable and fragile than the unmasked ones, nevertheless they are all distant and frightening. Each of them is a sum of pieces of emblematic subculture clothing and accessories mixed with urban club culture symbols and tools. They reflect the wishes and aspirations of the global dancefloor / dj cult.
The PAC PARTYMONSTER photoshooting concept wanted to develop the myth of the PARTYANIMAL that was first associated with the discomobile, as the collective went up the mountains to do a party in Emosson in the Swiss Alps in 2001. PAC is a collective that uses and abuses party situations to express itself.
Photos:
Fabian MartiThe PARTYMONSTER's series is an evolution of the PARTYANIMAL character developed by A+ as the discomobile mascot. The PARTYANIMAL was born in the Swiss Alps at an outdoor party in 2002 and since then has appeared in various discomobile and PAC events (Palais de Tokyo, Paris / Saas Fee's Pony, Frankfurt / Discodonkey 02, Sofia).
Eliane Laubscher The PARTYANIMALS represent dancefloor and clubculture gods with their tools and accessories. They stand as phantoms of performers or frozen statues. Even if their looks and faces are scary, the masked ones seem more miserable and fragile than the unmasked ones, nevertheless they are all distant and frightening. Each of them is a sum of pieces of emblematic subculture clothing and accessories mixed with urban club culture symbols and tools. They reflect the wishes and aspirations of the global dancefloor / dj cult.
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