The literary magazine The New Age brought
together a diverse set of intellectuals. Against the backdrop of the First
World War, they chose to write about more than modernist art and aesthetics. By
closely reading and contextualizing their contributions, Paul Jackson's study
engages with the political and philosophical responses of literary artists to
modernity. Jackson demonstrates the need to interpret modernism not merely as an
aesthetic phenomenon, but inherently linked to politics and philosophy.
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