Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
This volume brings together essays based on a conference that took place in 2016 at the Herzog August Bibliothek in Wolfenbuttel. The purpose of the event was to explore the role of the arts within confessional transfer and negotiation processes. While many aspects of cultural transfer in the field of secular representation within Europe are already well studied, the exchange of architectural forms and images between different confessions as well as the political contexts and motivations for these exchanges remain little understood. For this reason the following questions are central to this volume: Which aspects of art and architecture were transferred from one confession to another, and how were they modified? What theological or political intentions motivated processes of reception and adaptation? How did the arts help to interpret the relationship between politics and religion, and how did they, as part of a linguistic and visual discourse, model the relationship between spiritual and temporal powers? And to what extent was religious tolerance thereby encouraged or undermined?