Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
It is still true that most readers of eighteenth-century poetry approach it by way of nineteenth-century poetry; they know what Wordsworth said about Pope before they read Pope. This means that when they read Pope and other eighteenth-century poets, they apply the wrong criteria. An eighteenth-century poet did not have to create the taste by which he was enjoyed to the same extent as a nineteenth-century poet was conscious of having to. The kinds were ready waiting for him, and, if the rules of poetic diction for the kinds of which he elected to write were properly complied with, the products were recognisable: epic, tragedy in verse, Pindaric, elegy, heroic and familiar epistle, pastoral, georgic, occasional verse, translation and imitation. This book, a collection of essays by Dr Tillotson, examines these types of eighteenth-century poetry with particular focus on poetic diction, as well as discussing works such as Pope's letters and Johnson's dictionary.