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Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II , released by the estimable British label Warp Records in 199...Lees meer
Two decades after its release, the Ol' Dirty Bastard's Return to the 36 Chambers: The Dirty Version is the rare hip-hop album that sounds as fresh and...Lees meer
Depeche Mode’s 101 is, at first glance, a curious thing: a live double-album by a synth band. A recording of its “Concert for the Masses,” 101 marks t...Lees meer
In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with t...Lees meer
Aja was the album that made Steely Dan a commercial force on the order of contemporaries like Fleetwood Mac, the Eagles and Chicago. A double-platinum...Lees meer
A discussion of White Limozeen, from Dolly's self-fashioning of her image to a rigorous critique of her genre. White Limozeen (1989) was a commercial ...Lees meer
Tin Drum seeks to provide an outsider look at one of the most mysterious post-punk albums, the 1981 Orientalist and escapist manifesto by the English ...Lees meer
In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic-black or oth...Lees meer
Two entwined narratives run through the creation of Swordfishtrombones and form the backbone of this book. As the 1970s ended, Waits felt increasingly...Lees meer
Joy Division's career has often been shrouded by myths. But the truth is surprisingly simple: over a period of several months, Joy Division transforme...Lees meer
What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the...Lees meer
In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's mus...Lees meer
Rid of Me joins Music From Big Pink by John Niven and Meat is Murder by Joe Pernice as one of three fictional titles in the 33 1/3 Series, and tells t...Lees meer
Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a co...Lees meer
In 1979, from the basement of a London squat, the Raincoats reinvented what punk could be. They had a violin player. They came from Portugal, Spain, a...Lees meer
ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The ban...Lees meer
33 1/3 is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an arti...Lees meer
By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak i...Lees meer
An exploration of Radiohead's game-changing album. Rather than simply reinforcing Kid A's canonical status, it situates the album in the temporal, exa...Lees meer
Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and c...Lees meer
It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions...Lees meer
So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician wh...Lees meer
Daydream Nation is the kind of gorgeous monstrosity (born of extremes, rife with difficulties, and mythic in proportion) that can crush the will of th...Lees meer
Babes in Toyland was one of the most influential and forgotten bands of the 1990s. Despite creating a unique brand of sisterhood that inspired fans to...Lees meer