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Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of ...Lees meer
After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection ...Lees meer
My String Quartet No. 7 – the second of my ‘Beethoven studies’ – is the first of my quartets to possess a two-movement structure. The density of textu...Lees meer
Jörg Widmann wrote this duo for Sol Gabetta`s and Bertrand Chamayou's Song without Words project. The term Song without words alone is inextricably li...Lees meer
Ce quatuor à cordes, créé pendant mes jeunes années alors que j’étais encore à l’école, est une première tentative de création pour ce genre « sacré »...Lees meer
I consider Beethoven’s String Quartet op. 130 with its Grosse Fuge as the pinnacle of all quartets. In each of the four movements, Beethoven succeeds ...Lees meer
Jörg Widmann’s 5 Albumblätter are, as can easily be recognised from the titles of the individual pieces, homage pieces to Robert Schumann. In addition...Lees meer
Jörg Widmann's Diabelli Variation was created as part of Rudolf Buchbinder's Diabelli 2020 project, in which numerous contemporary composers composed ...Lees meer
The String Quartet No. 9 forms the penultimate work in my Beethoven Study quartet cycle. The sacred musical number 9 inspired me to create an especial...Lees meer
Die Fantasie „El cant dels ocells“ für Orgel und Chor kann als eine Hommage Jörg Widmanns an den Palau de la Música Catalana verstanden werden – jenen...Lees meer
My String Quartet No. 8 is made up of three movements, and a fast tempo prevails almost throughout the entire work. The extreme brevity of the opening...Lees meer
Inspired by Rainer Maria Rilke's poem Schlußstück Widmann created an In Memoriam for the pianist and conductor Lars Vogt with this work for two violin...Lees meer
Widmann zählt zu den Grenzgängern unter den zeitgenössischen Komponisten. Er bewegt sich in seinen Werken in Randbezirken und versucht dabei oftmals d...Lees meer
Violinist Veronika Eberle says about the commission to write cadenzas for Beethoven's violin concerto: „We needed someone from our time who had an ama...Lees meer
My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi r...Lees meer
The psychological depth of classical fairy tales has always fascinated Jörg Widmann. His contemporary counterpart to Schumann's fairytale stories is n...Lees meer
Jörg Widmann paraphrases Mendelssohn's famous wedding march from the Midsummer Night's Dream solo in this piece for violin solo. The paraphrase was ac...Lees meer
As a clarinetist frequently performing with string quartets, the clarinet quintet is a strange omission from Jörg Widmann’s catalogue of works. This g...Lees meer
Über die Jahre war mir das Genre Saxophonquartett eher fremd gewesen – bis ich das Kebyart Ensemble hörte. Die Homogenität und Virtuosität des Klangs ...Lees meer