Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
James Joyce, Viriginia Woolf, Ernest Hemingway, and a multitude of other artistic titans are encountered and ventriloquized in this bitingly funny (and mostly fictitious) memoir by a nearly forgotten literary fantasist.
Frederic Prokosch began as a fantasist. His first novel, The Asiatics, was an imaginary account of a man hitchhiking across the Asian continent. Praised by T. S. Eliot, W. B. Yeats, and Thomas Mann, the book earned its young author a reputation as a stylist. But while Prokosch kept publishing, he was not much read; by the 1940s, he had moved permanently to Europe, keeping aloof from what he called the “middle-class and fancy dullness” of mid-century American letters.
In 1982, Prokosch briefly returned to the literary limelight with Voices, a memoir framed by evocations of his childhood in Middle America and his old age in the South of France but mostly composed of short chapters in which he ventriloquizes the myriad famous figures he met. Voices, too, was a bit of a fantasy. But if he did not in fact meet all of these figures, he manages to convince us that he listened to their cadences more closely than most. Whether he is playing a tennis match with Ezra Pound or retrieving Marc Chagall’s wallet from the Grand Canal, sharing a beer with Bertolt Brecht or a steam bath with W. H. Auden, Prokosch hypnotizes the reader with his humor and melancholy, creating a masterpiece of imaginative memoir, long out of print and long overlooked.