This collection brings together the contributions of key writers within both the symbolic and empirical research traditions, presenting the most influential statements on visual research methods and the central debates about visual culture in a diversity of fields. These range from art history, to history of photography, film studies, and aesthetics to media and communications studies, sociology and cultural studies, and social anthropology, social psychology and educational research.
Part I: Classical Historical Statements
Part II: The Objectivity of the Visual
Part III: Visual Technologies
Part IV: The Visual as Method
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