Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
In Understanding James Welch, Ron McFarland offers analysis and critical commentary on the works of the renowned Blackfeet-Gros Ventre writer whose first novel, Winter in the Blood, has become a classic in Native American fiction and whose book of poems, Riding the Earthboy 40, has remained in print since its initial publication in 1971. McFarland offers close readings of Welch's poems and five novels, as well as his volume of nonfiction, Killing Custer, which tells the story of the Battle of the Little Bighorn from a Native American perspective. Demonstrating how Welch wrote each of the novels from a different angle, McFarland finds the writer's focus to be on the picaresque in Winter in the Blood, on tragic inevitability in The Death of Jim Loney, on epic qualities in Fools Crow, and on the element of intrigue in The Indian Lawyer. McFarland draws on interviews with Welch, book reviews, and a growing body of secondary scholarly commentary to reflect on Welch's evolution as a writer, his interest in the landscape and the psychological life of his characters, his use of Native American lore and regionalist elements, and his thematic concerns-particularly the identity motif.