Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
At the beginning of the 20th century, North American photography was seen as groundbreaking in the development of the medium's artistic visual language. In the 1980s this pioneering role was challenged by developments in Europe. Young artists no longer considered North American photography as a role model, and as a result it gradually moved out of the spotlight. True Pictures? now remedies this situation by presenting thirty American and Canadian photographers from three generations who, in part influenced by the advent of digital photography, saw and still see themselves challenged in particular by political and social upheavals. The list of themes is by no means short: the aftermath of the Vietnam War, the AIDS crisis, racism, feminism, questions around gender and sexuality, or identity politics. The urgency of these problematic situations prompts the artists to assume highly polarized positions. By following subjective and transmedial approaches and exhausting the technical possibilities of the medium, they almost inevitably touch on topics such as the often cited image overload--a phenomenon to which they respond with a targeted critique on the excesses of the "digital age."