Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
Elia Kazan is perhaps best known as the premier interpreter of the works of Arthur Miller and Tennessee Williams on the stage, and for his remarkable cinematic oeuvre. But these extraordinary letters reveal the entire range of his development as an artist and a man, from his early years as an actor and director with the Group Theatre to his innovative work as a celebrated director of Broadway theater and film. His founding of the Actors Studio and co-directorship of the Repertory Theater at Lincoln Center placed Kazan in the vanguard of every major theatrical development of the pre- and postwar years. Here are letters to Clifford Odets, John Steinbeck, Williams, and Miller; to Marlon Brando, James Dean, Warren Beatty, and Julie Harris. We see Kazan's heated dealings with studio moguls Darryl Zanuck and Jack Warner, his principled resistance to film censorship, the upheavals of his HUAC testimony, and his complicated family life. Perhaps no figure of popular culture more dramatically engaged the political, moral, and artistic crosscurrents of the postwar years than Elia Kazan.