Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
Brisk and shockingly witty, exuberantly scatological as well as deeply wise, The Novelist is a delight. Jordan Castro is a rare new talent: an author highly attuned to the traditions he is working within while also offering a refreshingly fun sendup of life beset by the endless scroll. —Mary South, author of You Will Never Be Forgotten
In Jordan Castro’s inventive, funny, and surprisingly tender first novel, we follow a young man over the course of a single morning as he tries and fails to write an autobiographical novel, finding himself instead drawn into the infinite spaces of Twitter, quotidian rituals, and his own mind.
The act of making coffee prompts a reflection on the limits of self-knowledge; an editor’s embarrassing tweet sparks rage at the literary establishment; a meditation on first person versus third examines choice and action; an Instagram post about the ethics of having children triggers mimetic rivalry; the act of doing the dishes is at once ordinary and profound: one of the many small commitments that make up a life of stability.
The Novelist: A Novel pays tribute to Nicholson Baker’s The Mezzanine and Thomas Bernhard’s Woodcutters, but in the end is a wholly original novel about language and consciousness, the internet and social media, and addiction and recovery.