Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
A razor-bright farce that lays bare theatrical vanity and the machinery of melodrama. It skewers theatrical pomposity fiercely. Brinsley Sheridan's The Critic stages laughter as argument: a play within a play that parodies the grandiose tastes of the London stage and the critics who fed them. Witty, lean and theatrically precise, it belongs to the tradition of eighteenth-century British farce and classic stage comedy yet speaks with a freshness that crosses centuries. Expect pointed English theatrical satire, sharp comic timing, and an insider's eye on the business of performance. Its brisk scenes and quick repartee make it ideal for performance and study. At once a mockery of affectation and a study in dramatic mechanics, The Critic explores literary parody themes while drawing on Restoration-era humour and Georgian sensibilities. The play's structure - a rehearsal that becomes its own spectacle - makes it invaluable as a drama students resource and a lively introduction to theatre history. Critics and comedians alike have turned to Sheridan comedy works for their economy of joke and sophistication of mockery; here those qualities are on full display. Readers seeking classic wit, collectors hunting period theatre staples, and anyone curious about the London theatre scene will find both entertainment and historical texture. Students examining dramatic form will find a compact classroom of meta-theatrical strategies and stagecraft to admire. Republished by Alpha Editions in a careful modern edition, this volume preserves the spirit of the original while making it effortless to enjoy today - a heritage title prepared for readers and collectors alike. More than mere revival, it is a bridge between restoration drama anthology sensibilities and modern taste: a vivid example of Georgian period literature that belongs on the shelf of any theatre history collection. Accessible, intelligent and mischievous, The Critic rewards casual readers and classic-literature collectors in equal measure. A welcome addition to playhouse reference shelves and private collections.