Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je relevantere communicatie op onze eigen website en relevantere advertenties van Standaard Boekhandel op externe platformen te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
A touching personal diary of a young artist retuning to life after the Holocaust.
These notebooks tell the story of a young survivor exploring his emotional and physical challenges after intense suffering, while discovering his strengths and abilities as he builds a life after the Holocaust. The writings reflect the author's inner dialogue regarding the meaning of his existence, and his conversations, real and imagined, with his lost loved ones, contemporaries, and former fellow camp inmates with whom he shared his darkest hours. In this seventh volume of the series, which includes notebooks 13 and 14, written between July and September 1947, his early years in Eretz Israel (Mandatory Palestine) are reflected. The entries cover his summer vacation, beginning with a stay in Tel Aviv--marked by discomfort with the climate, strained family relations, and criticism of materialism--and continuing with travels to kibbutzim, where he found comfort in nature and human connection.
Back in Jerusalem, Bacon describes depressive episodes, financial difficulties, and self-doubt about his artistic development. These notebooks also reveal a deeper awareness of the long-term psychological effects of his Holocaust experiences. He uses the metaphor of a broken violin string to convey the emotional numbness and disconnection he feels. While political unrest in Eretz Israel during 1947 is occasionally mentioned, it is described in a restrained and factual tone.