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An illustrated history of dinosaur art--from the first fossil finds to the age of CGI

In 1824, English naturalist William Buckland formally described Megalosaurus--the first dinosaur to be scientifically named--marking a pivotal moment in the emergence of modern paleontology. Since then, dinosaurs have become popular visual icons, from displays of skeletons and paintings in museums to hyperrealistic animations in films and documentaries. Images of dinosaurs are everywhere, yet tensions have long existed between paleontologists and the artists and designers who create them. The Art of Making Dinosaurs tells the story of how dinosaurs became stars of art, illustration, and media, from the first attempts to portray these strange leviathans to the revolutionary digital methods used today.

Victoria Coules and Michael Benton introduce readers to artists like John Martin, Alice B. Woodward, and Rudolph Zallinger, whose groundbreaking images shaped public perceptions of dinosaurs and paleontology more broadly. The visual reconstruction of dinosaurs from fossilized bones has always involved speculation, and while some scientists have embraced paleoart as a means of raising awareness about their field, others have argued that such images could be misleading. Coules and Benton shed light on these controversies while examining how the representation of dinosaurs has developed amid new discoveries and a changing visual culture.

The Art of Making Dinosaurs blends engaging storytelling with stunning fossil images and iconic depictions of dinosaurs over the past two centuries, revealing how art and illustration have played a central role in the rapidly evolving science of paleontology.