Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
Michelangelo regarded portraiture as a trivial genre, and Peter Paul Rubens did not instantly develop a preference for it either. Yet Rubens succeeded, as none other, in endowing his portraits with an almost palpable sense of immediacy, and was to become one of the greatest portraitists of all time. His most beautiful and surprising portraits are those of his immediate family. These intimate pictures were not intended for public display and are therefore considerably freer and more experimental than the likenesses he painted of influential patrons. Nothing about these private images seems idealized. They are uncommonly honest and veracious and at the same time expressive of great tenderness. While the hundreds of letters he wrote reveal very little about his emotional life, Rubens's portraits of family members testify in a special way to the affection he felt for his first and second wives, his brother and his children.