Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
The site of Palmyra, an oasis city in the Syrian desert located at a cultural and geographical crossroads, was a major trading centre in the first three centuries ad. This volume offers an in-depth exploration into one type of trade and its economy, namely that of stone, and the crucial role that this played within the settlement. The papers gathered here explore different aspects of stone, from its use in Palmyra's famous funerary portraiture, the production techniques that underlay these works, and their polychromy, through to where and how marble and limestone were provenanced, quarried, and transported, and what this implies for our understanding of the organization of the stone trade in both Syria and beyond. Chapters on Aphrodisian artists and the rock-cut chambers in Commagene and Cyrrhestice ensure the evidence from Palmyra is set in a wider context, enabling comparisons to be drawn with the work of sculptors elsewhere. Together, the papers within this volume offer a unique insight into a trade and economy of vital importance in an important urban centre of the Roman period. The work presented here is an outcome of the Palmyra Portrait Project, directed by Prof. Rubina Raja.