Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
During his first European exhibition in 1969, James Lee Byars presented three light-hearted actions, and with them provided a guideline for experiencing his art: as a viewer you had to believe in the reality he was offering. Even if that reality was too good to be true, too small to be taken seriously, or was over before you realized it. The less you had to go by, the greater the scope for your imagination.
The American artist travelled the world throughout his life. Thanks to this nomadic lifestyle, he developed an extensive international network that he maintained with letters. His correspondence with the Flemish former museum director Flor Bex and his wife Lieve De Deyne, and with Wies Smals, founder of De Appel in Amsterdam, is the point of departure for this Boijmans Study. The activities of Byars in the Netherlands and Belgium are given a central position, but attention is also paid to his formative years in Japan.