Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
In this honest and compelling collection of autobiographical essays, poet Jonathan Holden writes about sex, baseball, and summer camp; about parents who keep their distance; about the mistakes of adolescence; and about the national romance with guns. Most of all, however, he writes about the realities of having a twin brother who is gay and the excruciating pains he took to avoid being mistaken "for a fairy." Illustrating his points with his own poems, Holden creates a book that is not only a critique of homophobia (his gay problem and ours) but a wider questioning of American cultural values. We live in Sparta rather than Athens, Holden says, where the terror of homosexuality compels boys to lead distorted lives. Striking a low-keyed but insistent note of social criticism against the militarized, anti-poetic place where we live--one that so often seems to be a great, crass high school with overindulged appetites for sex and aggression, instead of a place where learning or the inner life can honestly thrive--Holden questions the ethos of this place where most boys consider such arts as dance or piano too dangerous to practice. His challenge to the American machismo ethic and its aesthetic correlative uncovers fascinating questions about the gender assumptions we have regarding sports and the arts. In Guns and Boyhood in America, Jonathan Holden succeeds in creating an eloquent rendering of the dramas and dilemmas of an American boyhood in prose and poetry, while allowing us to overhear a finely worded lover's quarrel with America. Jonathan Holden is the author of poetry collections including Against Paradise, American Gothic, and most recently The Sublime, recipient of the 1995 Vassar Miller Prize in Poetry. Currently he is University Distinguished Professor and Poet-in-Residence, Kansas State University.