Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
188 pieces of glazed and unglazed pottery from The University Museum of Islamic Art are studied and grouped into categories of surface treatment. The collection's asset is its wide range of medieval material, geographically spreading from Iran through the today Central Asian republics as far as Afghanistan. Apart from that it is made up of what we would call the more common performance of pottery. Siméon's archaeological approach to the material develops the material as a prime source of information on provenance, distribution and trade. Archaeological data furthermore provide answers to questions of the art historian on the development and diffusion of motifs, spread of techniques and the relationship to other materials. Through the mutual approach the author is able to explore social, economic and artistic aspects of historical societies. The chapters are preceded by a short introduction by the category treated and, if the material allows, completed by a thorough discussion and analysis of the group. As such, the spheroconical vessels for example are comprehensively treated including a discussion of the archaeological and textual sources that for the first time allow a convincing interpretation of this particular group. As far as possible attributions, comparisons and references also to unknown collections and finds even from remote sites top off the entry of each object and make it available for further study. To make the study complete, each object is described and thoroughly documented with a profile drawing and several colour photographs. Furthermore, the integration of the relevant bibliography including the Russian works that are inaccessible for most of the readers, but essential for the understanding of the material, gives new insights into the scholarly approach to Islamic ceramics from Central Asia. The Collection was assembled by the late Manfred Bumiller (1928-2018) from 1981 on, originally planned as a collection of Iranian medieval metalwork, but soon completed by a considerable number of ceramics of different qualities. After a break of more than ten years Siméon's thorough and profound examination of material now studied in a comprehensive way launches the new series Studies on The Bumiller Collection that is dedicated to the exploration of the Museum's material. May it serve as a useful tool for whoever is interested in Eastern Islamic ceramics.