Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
An aspiring author’s lawsuit raises questions about family, inheritance, and the vagaries of the American legal system in this National Book Award–winning courtroom satire.
Oscar Crease, part-time history professor and aspiring playwright, penned Once at Antietam, his magnum opus fictionalizing his grandfather’s experiences during the Civil War. Despite his high hopes and sending copies of the play to everyone he could think of, Oscar failed to get it staged. But then a movie with the same title and other striking similarities comes out. Convinced they plagiarized his work, Oscar decides to sue the studio.
His hunger for recognition and justice is all-consuming, even as his financially dependent half-sister and her husband’s lives get caught in the crossfire. As Oscar’s lawsuit progresses at a painfully slow, bureaucratic pace, legal documents and transcripts are interspersed throughout the narrative, highlighting the exploitation present in both the legal system and Hollywood machine—as well as Oscar’s determination to win despite the rising cost.