Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
“Kane’s remarkable excavation of this interlude, including real letters from Valpy, drips with juicy conflict and detail.” —Los Angeles Times
“A fable with heart and a searching investigation into what makes a marriage endure." —Boston Globe
"A marvel of sharp concision." —Wall Street Journal
“A daring book…fresh and beautiful.” —Chicago Tribune
A New York Times Book Review Editor's Choice • Named a Must-Read Book for Summer by the LA Times, a Most-Anticipated Book of 2025 by Lit Hub and Publishers Weekly, and a best book of August by Town and Country, Foreign Policy, and BookPage • Library Journal Title to Watch
The story acclaimed English author Penelope Fitzgerald never wrote, of her real-life journey to Mexico with her son in search of a much-needed inheritance, by Jessica Francis Kane, bestselling author of Rules for Visiting
Winter 1952. Penelope Fitzgerald’s husband is a struggling alcoholic, their literary journal is on the brink, and she is pregnant with their third child. When she receives a letter from two elderly sisters named Delaney, distant relations with a silver mine, who dangle the possibility of an inheritance, she recognizes it as a creative and practical lifeline.
Jessica Francis Kane’s brilliantly imagined Fonseca fictionalizes Penelope’s real and momentous trip to northern Mexico in pursuit of this legacy. She leaves her two-year-old, Tina, with relatives and sails for New York with her six-year-old, Valpy, in tow. From there, mother and son take a bus all the way to . . . Fonseca.
But when they arrive, nothing goes to plan. There are others vying for the Delaney money, and for three months, from Day of the Dead to Candlemas, Penelope must navigate a quixotic household and guide her impressionable son. More and more people frequent the house: an ambitious American couple, various local entrepreneurs and artists (including Edward Hopper and his wife, Jo), and finally a handsome stranger who claims he is a Delaney.
With heart, humor, and a deep understanding of her subject that has characterized the range of her work her whole career, Kane (whose work “could have been written by Jane Austen’s great great-great-granddaughter” —Oprah Daily) has written much more than an homage: Fonseca is an enthralling world of its own as well as a stunning fictionalization of a season in Fitzgerald’s life.