
This book examines disrupted encounters in documentary film and media: encounters between social actors on screen, filmmaker and subject, and film and spectator, which are all often inter-connected. Through its theorization of awkward moments, it develops original approaches to issues of ideology, affect, and ethics in the context of documentary film and spectatorship.
We publiceren alleen reviews die voldoen aan de voorwaarden voor reviews. Bekijk onze voorwaarden voor reviews.