Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
The recent discovery of Greek hexameters in a palimpsest in the library of Saint Catherine's Monastery in Sinai (Sin. ar. NF 66) introduced a fascinating new piece of the puzzle for scholars of ancient Greek mythology studying the tales of the god Dionysus. This volume provides a new critical edition and translations of the text, along with essays that explore crucial interpretive issues, including the poetics of the text, its connections with Greek religion and ritual, and its relation to other hexametrical texts such as Nonnus' Dionysiaca, the Orphic Hymns, and the Orphic Rhapsodies. This fragmentary palimpsest includes new twists on the less frequently attested stories of the childhood of Dionysus, including his relations with Aphrodite and his divine mother, Persephone, as well as his grisly dismemberment at the hands of the minions of his stepmother, Hera. This exciting new text will be of interest to scholars of antiquity, including specialists in imperial Greek literature and early Christianity, as it sheds light on a number of mysteries in Greek religion and mythology and might even provide the first direct witness to the lost Orphic Rhapsodies, known currently only from quotations preserved in other ancient authors.