Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
Now available in paperback! Cinema often relies on novels or short stories for narrative material. Contemporary Spanish Film from Fiction examines cinematic versions of post-Civil War narratives that had their debut during three key decades of recent Spanish cinema (1965-1995). This study begins with an overview of the critical problems of screen adaptation and offers a global analysis that examines film adaptations of works by fifty-seven authors. These include classics of twentieth century Spanish literature by authors such as Camilo JosZ Cela, Miguel Delibes, and Luis Mart'n Santos, works by recent best-selling authors Antonio Mu-oz Molina, Arturo PZrez Reverte, Juan Madrid, and many others. Directors like Vicente Aranda, Mario Camus, and Pilar Mir- show how literary material can be transformed into superb cinema. Spain's dramatic transition from dictatorship to democracy allowed new freedoms on the Spanish screen. Screen adaptations of Spanish narratives often reexamine Spain's historical past or portray important aspects of contemporary Spanish society. Films that receive government subsidies are a special manifestation of the national as an ideological construct, and these twice-told tales, whether subsidized or not, become a double affirmation of Spanish cultural production. This illustrated study will be welcomed by those interested in film studies (especially screen adaptations), Spanish cinema, and contemporary Spanish literature.