At first glance, Clémence van Lunen’s sculptures strike us with their monumentality and a certain joyful strangeness.
How does the artist manage to upend aesthetic conventions in ceramics? How does she carve this unusual path in comtemporary sculpture?
The three essays in this first monograph trace the career and inspirations of this baroque artist, one of a handful of sculptors who have been profoundly revitalising the field of ceramics since the early 2000s.
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