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A cornerstone of American Modernism and arguably William Faulkner's most radical technical achievement, As I Lay Dying is the scorching, darkly comic, and deeply unsettling story of a promise kept at all costs.

Set in the blistering heat of the American South, William Faulkner's As I Lay Dying is the raw, unflinching, and darkly comic story of the impoverished Bundren family and their disastrous attempt to honor the dying wish of their matriarch, Addie Bundren, to be buried in her distant hometown of Jefferson.

The novel fragments into 59 interior monologues from 15 different characters-the five surviving children and their father, plus various neighbors-each voice offering a skewed, private, and often shocking perspective on the family's journey. As they transport the rotting corpse across flooded rivers and through vulture-haunted landscapes, their quest exposes the devastating isolation, secret desires, and mounting madness within the family.

This pioneering work of Modernist literature is a profound, unforgettable exploration of grief, duty, and the radical difference between how we see ourselves and how others see us.

When Addie Bundren dies in the scorching heat of rural Mississippi, she leaves her family with a final, non-negotiable request: she must be buried in her hometown of Jefferson, forty miles away. The Bundrens, a poor, isolated, and often grotesque family, load Addie's coffin onto their wagon and begin a nine-day pilgrimage across the unforgiving Yoknapatawpha landscape.

This arduous journey is a trial by fire, water, and madness. Against a backdrop of decaying roads, swollen rivers, and the increasingly putrid odor of Addie's body, the family members-from the stoic, simple carpenter Cash to the tormented, seeing-eye Darl-face overwhelming obstacles: a broken leg, a near-drowning, an act of arson, and the relentless judgment of the townsfolk.

Faulkner shatters the traditional novel form, presenting the saga through fifteen distinct and fragmented narrative voices. We enter the minds of Addie's children-the self-sacrificing Cash, the illegitimate, horse-obsessed Jewel, the pre-verbal Vardaman, and the unsettlingly articulate Darl, whose chapters form the novel's psychological and philosophical core.