Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
In the 1470s, Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources in at least two languages. Since Caxton's publication of Malory's text in 1485, the Arthurian legend in the English-speaking world has experienced sometimes neglect and mockery, but frequently great interest and re-imagination. Since the time of Tennyson in particular, Arthur and Guenevere have drawn increasing numbers of characters into their sphere of influence; similarly, increasing numbers of, not only authors and dramatists, but painters, musicians, and film-makers have paid allegiance to the legendary king and queen. This interdisciplinary, annotated bibliography lists, as comprehensively as we can, the uses of the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. This bibliography is intended for the use of students of literary and visual arts, general readers, collectors, librarians, and cultural historians--that is, by anyone interested in the history of the ways in which Camelot has figured in post-medieval English-speaking cultures. Ann F. Howey is Assistant Professor at Brock University, Canada Stephen R. Reimer is Associate Professor at the University of Alberta, Canada