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This comprehensive two-volume catalogue covers the outstanding collection of English and French medieval stained glass in the Metropolitan Museum of A...Lees meer
In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early mo...Lees meer
The medieval cult of the Virgin is almost the story of the Middle Ages itself, and to gain an insight into it is an essential step towards an understa...Lees meer
Malvasia's life of Marcantonio Raimondi includes Malvasia's critical catalogue of prints by or after Bolognese artists, from Giulio Bonasone to Giovan...Lees meer
This is the tenth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the ti...Lees meer
This publication presents current topics in stained glass conservation, with special consideration given to those which highlight the collaborative pr...Lees meer
This is the eighth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the t...Lees meer
The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital ...Lees meer
This is the sixth and final part of the Survey of Manuscripts Illuminated in the British Isles. The author has made a perceptive selection of the rich...Lees meer
This book examines the Neapolitan painter and satirist Salvator Rosa (1615-1673) from a new perspective. Preoccupied with a performative brand of self...Lees meer
The central theme of Rubens's paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history...Lees meer
George Henderson, 'Introduction'; Andrea Worm, 'The Gospel Book in the Fitzwilliam Museum, MS McClean 21: Some New Aspects of the Artistic Relationshi...Lees meer
For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the wo...Lees meer
This volume in the international Corpus Vitrearum series profiles two prestigious institutions. The works date from roughly 1210 through 1667 and repr...Lees meer
What is the art of commodities, and how does it contribute to shaping a city? The case of Venice, which perhaps more than any other late medieval or e...Lees meer
In 1327 Pope John XXII granted the Hermits of St. Augustine joint possession of San Pietro in Ciel d'Oro in Pavia, a church that until then had been f...Lees meer
Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have the...Lees meer
Rubens was well placed to take advantage of the increasing demand for scenes of Christ's Passion in the Southern Netherlands at the beginning of the 1...Lees meer
This is the first catalogue to appear in the newly launched American Corpus Vitrearum series. The collections in Indiana, Illinois, Michigan and Ohio ...Lees meer
Peter Paul Rubens and Jan Brueghel the Elder were collaborating as painters as early as c. 1598, before Rubens's stay in Italy, but the most important...Lees meer
This volume completes Part II of Series A of the Paper Museum. Together with the first volume, it reflects an unusual aspect of Cassiano's interests, ...Lees meer
This book presents in word and image the facade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful andpowerful o...Lees meer
Titian's mythological paintings for Philip II, known as the Poesie , are among the most frequently discussed works of art that address a favored Renai...Lees meer
Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, ...Lees meer